Just Ink

Paul Webster This is a great introduction in how to paint and draw with ink using different brushes, dip pens etc. A number of ... more >

Writing with Attentiveness and Feeling

With Laura Clough This course will focus on writing techniques that heighten attaentiveness, feeling and image, in personal ... more >

DEADLINE EXTENDED Oriel Davies Open Writing Competition 2018: Crossed Paths

Deadline for entries Saturday 5 January 2019 Open Writing Competition 2018 is inviting submissions of poetry and prose on ... more >

Oriel Davies Gallery
The Park, Newtown
Powys SY16 2NZ
Telephone: +44 (0) 1686 625041
Fax: +44 (0) 1686 623633
Email: desk@orieldavies.org


Monday-Friday 10am-5pm
Saturday 10am-4pm
Christmas Opening Times
Sat 22 December: 10am—4pm
Sun 23 Closed
Monday 24 10am –3pm
Tuesday 25 – Tuesday 1 Closed
Wed 2 - Sat 5 Jan 10am—4pm
Sun 6 Closed
Monday 7 10am – 5pm



Talking to Gwen

Anna Falcini

14 November 2015 - 27 January 2016

Clippings (Page No.2, detail) 2014 Multiple Drawing; Collage and gouache on mult

Clippings (Page No.2, detail) 2014 Multiple Drawing; Collage and gouache on multipurpose copy paper, mounted onto Fabriano paper

During a residency in Aberystwyth, Anna Falcini discovered the letters of Gwen John (1876–1939), at the National Library of Wales. Written around 1915, John's draft letters record intimate, joyous, mundane scenes and the frequent struggles of John's life as an independent Welsh, female artist living in Paris.

Many of the issues were relevant to Falcini’s experience as an artist - despite a century of time between them. As she referenced her own diaries she encountered similar moments of doubt and insecurity. What began to emerge was a remote dialogue, separated by time, between two female artists: the development of which we see in Falcini’s TestBed exhibition at Oriel Davies.

Her response to the letters, has not only been to explore their content but also the physical materiality and archival preservation of them. She is, for example, fascinated at how the individual sheets of paper and envelopes in the Library are arranged into book form through the archival method of 'tipping in' which supports the delicate papers in a central spine.

At the same time, Falcini reflects upon the journey of these letters, how they passed through the fingers of different people and places and how these humble notes about John’s cats, paint colours and her affair with Rodin have become nationally significant archival materials, embedded in Welsh culture.

The feeling of an absented presence unfurls in Falcini’s work where she contemplates perceptions of time that reveal themselves in landscapes and material objects, provoking a personal narrative and remembered past to surface.

Anna Falcini lives and works on the Welsh/English border. She was awarded an M.A. by Goldsmiths College in 2002 and is currently a Ph.D. Reader in Fine Art Practice at the University for the Creative Arts. In addition to her art practice she produces critically engaged articles and essays for selected arts organizations.

Talking to Gwen has been supported by Arts Council of Wales.

Test Bed Logo Supporting new and experimental work by artists based in Wales and the Borders.